Last looks at the lilacs

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  [Lilac]

  Manuscripts

  A botanical album created by Mary Parker, Countess of Macclesfield; she started the album in 1756 when she was 30 years of age. Flower painting had become a fashionable occupation for the wives and daughters of the great houses of England and Mary Parker achieved exceptional ability under the tutelage of Georg Ehret. The album contains 48 watercolor and gouache paintings on parchment; depicted are both sides of the plant's leaves and also shown are more than one reproductive stage for each specimen: with the early formation of the blossom, the growing petals, and the full expression of the flower. The images in the album depict numerous plant specimens, sometimes with butterflies and other insects, most likely local to the Macclesfield estate, Shirburn Castle, in Oxfordshire. Many of the illustrations are identified by names predating Carl Linnaeus' binomial plant nomenclature in his "Species Plantarum" (1753), while other notations on the illustrations include Linnaeus' names. The album is bound in a contemporary, richly gilt morocco wallet binding, with interior green silk ties; the binding is likely by Richard Montagu. The pages in the album are marked with the Macclesfield armorial blind stamp. It has a lock and key fastening, and while the original key is present, the lock has been deactivated by a professional restorer, please do not attempt to use the key; also present is a red velvet bookmark.

  mssHM 84100

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  [Lilacs]

  Visual Materials

  Image of a cluster of lilac flowers with leaves.

  priJLC_PRG_002177

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  Lilac Brand

  Visual Materials

  The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.

  ephCL L_49